The Marriage Plot
I loved Jeffrey Eugenides's Virgin Suicides , for its kooky, gothic feel, and the beautiful pendulous, globular writing. His next, Middlesex , meh, not so much. It felt to me like a novel-length splurge on a Foucauldian or Judith Butlerian problem. Perhaps a little precious of me, but it seemed dated, although apparently to the rest of the world, a thing of wonder. I also felt there were longueurs . The Marriage Plot , which we have waited many years for, feels like, literally, more of the same. I found it meandering, for all the wrong reasons. If its title referred ironically to its own lack of plot, this raised little more than a tired lit crit eyebrow in me. I kept waiting for the motor to start, to get under way. I felt as though I kept being fed character synopses. Perhaps this was because he'd chosen to write a perspectival novel in the third person: we move from one of the three main characters' points of view to another, filling in gaps in the (very simple) plo...